VoidTrecker Express Mods (
voidtreckermods) wrote in
voidtreckerexpress2020-12-01 06:00 am
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Entry tags:
- 47 [ou],
- alice liddell (am) [ou],
- allen walker [crau],
- cassie cage [ou],
- devero [ou],
- edge [ou],
- emporio alniño [ou],
- inigo [ou],
- katsuya jonouchi [au-crau],
- koumyou sanzo [ou],
- lea [crau],
- leaf [au],
- little one [ou],
- madoka kaname [ou],
- masumi sera [ou],
- piccolo [ou],
- ple two [ou],
- quatre raberba winner [ou],
- rapunzel [ou],
- reno [ou],
- romeo [crau],
- taiki [ou],
- tidus [ou],
- trunks brief (future) [ou],
- xiao xingchen [ou],
- yugi mutou [ou],
- ~x~adam parrish [ou],
- ~x~agent 8 [ou],
- ~x~alfredo martini [ou],
- ~x~alleyana tabris [ou],
- ~x~bulla brief [crau],
- ~x~della duck [ou],
- ~x~demyx [ou],
- ~x~dyme graydon [ou],
- ~x~enna alchiba [ou],
- ~x~galo thymos [ou],
- ~x~gen asagiri [ou],
- ~x~glorfindel [ou],
- ~x~hua cheng [ou],
- ~x~ken ichijouji [ou],
- ~x~kurosaki ichigo [ou],
- ~x~natsuno yuuki [ou],
- ~x~nerdanel mathaniel [ou],
- ~x~nita callahan [crau],
- ~x~orisa [ou],
- ~x~raven [ou],
- ~x~rich goranski [ou],
- ~x~roland crane [ou],
- ~x~senku ishigami [ou],
- ~x~thorne.tcai [ou],
- ~x~webmind [ou],
- ~x~wei wuxian [ou],
- ~x~xander woods [ou],
- ~x~xie lian [ou],
- ~x~yoite [ou],
- ~x~zechs merquise [ou]
A New Platform [Intro Post December]
On the Train
It's only been a couple of days since the Voidtrecker Express took to the void once more, and many of the passengers are still recovering and recuperating after a very hectic end to their latest mission. Nevertheless, they are awoken by a familiar message.
"Good morning passengers, it is day sixteen of the month of Imagination. Points have been updated on the system."
They have indeed, and everyone can spend the morning shopping. Those who have been on the train for a while will be expecting the second announcement that comes a few hours later.
"Shortly arriving into a designated void platform. Exit from void in ten, nine, eight, seven, six, five, four, three, two, one." A lurch and a jolt and the windows fill with the fog that means they are at a platform. It is warm outside with a pleasant breeze that flows down the platform, rustling the light spread of leaves that litter the floor.
As usual the first to leave the train notice nothing, walking silently, rucksacks on their backs, towards the barriers. Akemi Homura, Alfred the Poisoner, Donatello Versus, Chie Satonaka, Joscelin Fitzthomas, Ronan Lynch, Rose Tyler, Tangle the Lemur, Trowa Barton, Wester Mazaki and Whisper the Wolf all pass through the platform, not looking back before they disappear through the barriers and into the fog beyond.
But on the platform itself there are new faces. Wearing hoodies in all four colours, in various states of confusion.
For New Passengers
At first all they can see is steam, billowing around them as they come to their senses. The second thing they will notice is the swirling leaves at their feet, moving in flurries and rattling against each other softly. As their eyes adjust, they will see they are on a platform, cement and packed earth forming a very practical, plain-looking shelter. Behind them is a set of barriers, and in front of them is a single track extending both ways into thick fog.
They are standing, in clothes that are not their own and a style they might not even recognise. They are carrying a rucksack on their back. For a moment it seems to just be them, alone in the white haze but then the steam begins to fade and they realise they aren’t alone.
The platform is not large and it holds eight figures all facing the tracks, all dressed in cargo trousers and hoodies. Both left and right the tracks disappear into the mist. Then there is a roaring sound and out of the fog arrives a train. Jet black with gold writing on the side. The Voidtrecker Express. There is a hiss as the doors slide open and out into the gloom step a selection of people. Some are human, some are less so. Most are wearing the same hoodie in one of the four colours, red, orange, blue and purple though some are sporting different clothes in a variety of styles.
The Train
The doors hiss open. Those from the train may encourage those on the platform to board. It’s not like there's anywhere else to go and even if there was, you feel a pull. A need to board, a feeling that staying on the platform would lead to something terrible. If that is not enough, there are plenty of people on the platform now, to encourage them onto the train.
Each ICP shows the same message and next to the screens there are stacks of leaflets written by those on the train, with further information (see
'Publications'). The store rooms have been restocked with more jars of honey, the ingredient of the month of Imagination, as well as sundries.
A new carriage has been added right next to the luggage carriage. It is a second medical carriage, or triage carriage. Downstairs is more open with beds and chairs, upstairs are two surgical bays for those that need immediate attention.
For those intrigued by the claim of a parcel for every passenger they will find several large boxes filled with small blue bags. Inside each bag is ten dark blue coins imprinted on each side with a silver snowflake. Each bag has a small label with a passengers name. On the other side of the label it reads: Keep these safe for now.
Of course for any passengers that have bought items, these are also scattered around the luggage carriage as well.
New passengers will find their tickets allow them into their cabins. They may need to negotiate for beds, especially if they want a top bunk!
Room is tight but there are storage cubbies at the head of each bed, beds fold up and the bottom bunks double as benches for the small table. There is storage under those benches and you will hopefully find a pillow for your bed if it has not been nabbed by a roommate, there are also spare blankets for if it gets cold.
Departure
A second horn sounds to encourage any stragglers taking advantage of the pleasant weather and the doors slide shut. Veteran passengers know what will happen next, but they may wish to brief their new companions.
The train sets off, the fog obscuring the view again as it picks up speed.
"Welcome aboard, passengers of the Voidtrecker Express." A female-coded artificial sounding voice echoes throughout the train. "Please take the time to read the passenger information displayed on the Information and Communication points and familiarise yourself with the layout and emergency exits."
The train begins to tilt, leaving the ground and rising up into the fog-filled sky.
"Entrance into Voidspace imminent. New passengers are advised to remain seated. Entry into Voidspace in ten, nine, eight, seven, six, five, four, three, two, one."
A shudder, a jolt, a lurch to the left. A flash of light, colourful and blinding. As quick as it happens it is done. The train seems to steady. The fog from the windows is gone now, replaced with a kaleidoscope of ever-changing colours.
Welcome to the Void!
It's only been a couple of days since the Voidtrecker Express took to the void once more, and many of the passengers are still recovering and recuperating after a very hectic end to their latest mission. Nevertheless, they are awoken by a familiar message.
"Good morning passengers, it is day sixteen of the month of Imagination. Points have been updated on the system."
They have indeed, and everyone can spend the morning shopping. Those who have been on the train for a while will be expecting the second announcement that comes a few hours later.
"Shortly arriving into a designated void platform. Exit from void in ten, nine, eight, seven, six, five, four, three, two, one." A lurch and a jolt and the windows fill with the fog that means they are at a platform. It is warm outside with a pleasant breeze that flows down the platform, rustling the light spread of leaves that litter the floor.
As usual the first to leave the train notice nothing, walking silently, rucksacks on their backs, towards the barriers. Akemi Homura, Alfred the Poisoner, Donatello Versus, Chie Satonaka, Joscelin Fitzthomas, Ronan Lynch, Rose Tyler, Tangle the Lemur, Trowa Barton, Wester Mazaki and Whisper the Wolf all pass through the platform, not looking back before they disappear through the barriers and into the fog beyond.
But on the platform itself there are new faces. Wearing hoodies in all four colours, in various states of confusion.
For New Passengers
At first all they can see is steam, billowing around them as they come to their senses. The second thing they will notice is the swirling leaves at their feet, moving in flurries and rattling against each other softly. As their eyes adjust, they will see they are on a platform, cement and packed earth forming a very practical, plain-looking shelter. Behind them is a set of barriers, and in front of them is a single track extending both ways into thick fog.
They are standing, in clothes that are not their own and a style they might not even recognise. They are carrying a rucksack on their back. For a moment it seems to just be them, alone in the white haze but then the steam begins to fade and they realise they aren’t alone.
The platform is not large and it holds eight figures all facing the tracks, all dressed in cargo trousers and hoodies. Both left and right the tracks disappear into the mist. Then there is a roaring sound and out of the fog arrives a train. Jet black with gold writing on the side. The Voidtrecker Express. There is a hiss as the doors slide open and out into the gloom step a selection of people. Some are human, some are less so. Most are wearing the same hoodie in one of the four colours, red, orange, blue and purple though some are sporting different clothes in a variety of styles.
The Train
The doors hiss open. Those from the train may encourage those on the platform to board. It’s not like there's anywhere else to go and even if there was, you feel a pull. A need to board, a feeling that staying on the platform would lead to something terrible. If that is not enough, there are plenty of people on the platform now, to encourage them onto the train.
Each ICP shows the same message and next to the screens there are stacks of leaflets written by those on the train, with further information (see
'Publications'). The store rooms have been restocked with more jars of honey, the ingredient of the month of Imagination, as well as sundries.
A new carriage has been added right next to the luggage carriage. It is a second medical carriage, or triage carriage. Downstairs is more open with beds and chairs, upstairs are two surgical bays for those that need immediate attention.
For those intrigued by the claim of a parcel for every passenger they will find several large boxes filled with small blue bags. Inside each bag is ten dark blue coins imprinted on each side with a silver snowflake. Each bag has a small label with a passengers name. On the other side of the label it reads: Keep these safe for now.
Of course for any passengers that have bought items, these are also scattered around the luggage carriage as well.
New passengers will find their tickets allow them into their cabins. They may need to negotiate for beds, especially if they want a top bunk!
Room is tight but there are storage cubbies at the head of each bed, beds fold up and the bottom bunks double as benches for the small table. There is storage under those benches and you will hopefully find a pillow for your bed if it has not been nabbed by a roommate, there are also spare blankets for if it gets cold.
Departure
A second horn sounds to encourage any stragglers taking advantage of the pleasant weather and the doors slide shut. Veteran passengers know what will happen next, but they may wish to brief their new companions.
The train sets off, the fog obscuring the view again as it picks up speed.
"Welcome aboard, passengers of the Voidtrecker Express." A female-coded artificial sounding voice echoes throughout the train. "Please take the time to read the passenger information displayed on the Information and Communication points and familiarise yourself with the layout and emergency exits."
The train begins to tilt, leaving the ground and rising up into the fog-filled sky.
"Entrance into Voidspace imminent. New passengers are advised to remain seated. Entry into Voidspace in ten, nine, eight, seven, six, five, four, three, two, one."
A shudder, a jolt, a lurch to the left. A flash of light, colourful and blinding. As quick as it happens it is done. The train seems to steady. The fog from the windows is gone now, replaced with a kaleidoscope of ever-changing colours.
Welcome to the Void!
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He actually blinks when Koumyou asks him that, sitting up again. "I-- I'm fine?" he says. And then a moment later, "A little envious, maybe. No one's ever wanted to 'claim me."
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Help?
"Were you an orphan, perhaps?"
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There was another possibility he'd seen plenty of times, too--
"Or maybe they were just really rotten?"
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He trails off. At home, he wouldn't have to qualify that 'but'. Anyone whose parents didn't claim them would know what that 'but' meant, because no matter what the caretakers said, it sucked to be one of the kids left behind on family days. It sucked to know that out there, two people had made a decision to bring you into the world, and then another decision to have nothing to do with you. His parents hadn't even opted into correspondence.
But this is an old hurt, worn as flat and smooth as a river stone by time, so he shrugs and scoops up some more ice cream. "Your Kouryuu is very lucky," he says, and sticks the spoon in his mouth.
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"Well, I think you're wonderful, so it's their loss."
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His smile might be a little wobbly as he shares it with Koumyou. His eyes are definitely prickling a little. "Thank you."
He is determined not to start crying again, though, so after a fierce squeeze of his fingers he takes his hand back and goes for another scoop of ice cream. "Tell me more about your son?"
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"Oh! Well, what do you want to know about him? He's thirteen, and has hair so gold it almost looks like metal! And the biggest, brightest eyes! He's the cutest kid in all existence, as far as I'm concerned. And he's so serious! He's always trying to scold me, with his grumpy little face."
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"He has to scold you?" he repeats back, getting that sly teasing tilt to his mouth. "Really? How strange, I have no idea why, as you also are absolutely serious all the time."
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That tease gets a laugh out of Koumyou, all bright and bubbly.
"It's true, it's true! And I would never skip out on giving lectures, or smoke where someone could see me."
Or need to be reminded to eat.
Or woken up before he could drown in the bath.
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He snickers. "Are Sanzo priests expected to give a lot of lectures?" he asks. "And expected not to smoke?"
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As for the rest, Koumyou ticks things off on one bony hand, "No smoking, no drinking, no eating meat, no gambling -- even without money! No... basically anything, that isn't just meditating and teaching. That's how it is for all monks, just substitute teaching for studying in most cases. Oh, and add chores. Rank does have some benefits, and not having to hand-scrub the floors anymore is one of them."
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"Is another benefit of having your rank that you don't have to adhere to any of that if you don't want to?" It's a guess, but between Koumyou's obvious penchant for smoking and what he'd said earlier about rules, it's a pretty educated guess.
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He reaches back with his free hand and pulls the tightly-wound scroll of the sutra from the back pocket of his jeans, "But they don't have to die protecting one of these, so as far as I'm concerned, I'll do what I like."
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He eyes the sutra as Koumyou displays it. Such a small, unassuming little thing, it's still almost impossible to comprehend the sheer significance of it. "It's not their lives on the line, is it?" he asks, looking from the scroll to its protector. "As long as indulging yourself causes no harm to others, I don't see what the problem is."
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"That includes who I decide to spend my time with. Whether it's the baby I plucked from the river, or a big handsome guy with pretty brown eyes."
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He emerges from behind his fingers after a moment. "Is that how you found your son? In a river?"
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"I heard a voice..." the priest says, after the poke, and turns to wrap his hands around his tea.
"It was so alone, so scared... and no one else could hear it. So I went to look, and I saw a basket in the river. It had tipped over on its side. I waded out, and I found him, barely alive in the water. He wasn't even a day old, I don't think, he was so tiny. Just him and... a set of red prayer beads, and the basket."
Those beads had apparently worked.
"I pushed the water out of his lungs, and he started crying immediately! There was no one else around, no towns upriver for weeks...! So I took him back to the temple with me, and I've had him ever since."
Until now, of course.
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So he sticks a big spoonful of ice cream in his mouth to buy himself time to have a second thought. After all, Koumyou's world is so, so very different from his own.
"What an incredible story," is what he says when enough of the ice cream has melted to let him talk around it. He swallows the rest, then, "Do you have any idea who it was who called out to you?"
Because obviously it wasn't the drowning baby, that would be ridiculous.
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Of course it was. Who else would it be if not the drowning baby?
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He reaches over and lays his hand on Koumyou's wrist. "How lucky you were, to have found each other," he says.
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He covers the hand on his wrist, with his other hand. "Yeah."
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It's only a joke, of course, he knows what happened was exactly as he just told it. But the mood might drop a bit too far if he lets it, so it's time for some humor.
His own ice cream's done, so the priest reaches for his comb again, intent on tidying up the mess that is his hair. It's about half combed out now, all sleek and straight.
"So, what is a creche? Do all kids go to one, where you're from?"
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He does reach out to intercept Koumyou's hand, though, covering the comb with his own bigger one first. "May I?" he asks, before he starts to think about how to answer that big question.
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cw blood
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cw abuse trauma
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cw abuse mention
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