Ple Two (
pleple) wrote in
voidtreckerexpress2020-08-04 09:55 pm
[open] Oops a bad feel
Who: Ple Two and anyone.
Where: The music carriage mainly, but more vaguely elsewhere.
When: Grasshopper 16/17
What: A new arrival accidentally put some bad thoughts into her head, so she's going to deal with that somehow. Sorry Enna.
Warnings: Trauma of the 'human created to be a weapon' sort.
There's no reason to really give it too much thought. That new girl, as odd and interesting as she was, didn't and couldn't know a thing about Ple Two when they were speaking; it was not only casual conversation, it was a practical and sensible thought.
A weapon that can't do anything but be a weapon is useless, she'd said. A girl who knew nothing about her. Ple Two, who had found a few tiny, valuable little niches beyond fighting. There wasn't any reason it should make her chest feel so tight, heart pounding in her ears. It was silly, that it wormed into her brain, and drowned out her objections with a sort of dull buzzing. She was born in a tube among other clones, meant, before she'd ever been a single cell of her own, to pilot mobile suits in war.
It already worried her. Keeping it crammed down in the depths of her thoughts wasn't difficult, but she feared what life might be like without the relative structure, and the lack of choice, in her life now. How could she survive as anything but a weapon, meant for nothing else, yet cursed with a mind and heart of her own?
Going through her day after, the composure on her surface seemed more like blankness, eating and doing her chores with no conversation; and, worse, not actively seeking out the people who could actually help her. Instead, she found her way to the music car, cycling through song after song, genre after genre to find what might be even louder than the curtain hanging over her thoughts, until she could just obliterate it long enough to get steady again.
...so if you try to pull away headphones while she's there, or later sitting in the quiet car or rock garden, she apparently eventually settled on an eclectic mix of very heavy metal and strange and very loud alien music that would, technically, be described as a cappella if electronic instruments were alive and screaming at you.
[ ooc: Feel free to make up an encounter anywhere that fits, mostly she'll be looking glum and staring at nothingness while trying to explode her feelings with loud music. ]
Where: The music carriage mainly, but more vaguely elsewhere.
When: Grasshopper 16/17
What: A new arrival accidentally put some bad thoughts into her head, so she's going to deal with that somehow. Sorry Enna.
Warnings: Trauma of the 'human created to be a weapon' sort.
There's no reason to really give it too much thought. That new girl, as odd and interesting as she was, didn't and couldn't know a thing about Ple Two when they were speaking; it was not only casual conversation, it was a practical and sensible thought.
A weapon that can't do anything but be a weapon is useless, she'd said. A girl who knew nothing about her. Ple Two, who had found a few tiny, valuable little niches beyond fighting. There wasn't any reason it should make her chest feel so tight, heart pounding in her ears. It was silly, that it wormed into her brain, and drowned out her objections with a sort of dull buzzing. She was born in a tube among other clones, meant, before she'd ever been a single cell of her own, to pilot mobile suits in war.
It already worried her. Keeping it crammed down in the depths of her thoughts wasn't difficult, but she feared what life might be like without the relative structure, and the lack of choice, in her life now. How could she survive as anything but a weapon, meant for nothing else, yet cursed with a mind and heart of her own?
Going through her day after, the composure on her surface seemed more like blankness, eating and doing her chores with no conversation; and, worse, not actively seeking out the people who could actually help her. Instead, she found her way to the music car, cycling through song after song, genre after genre to find what might be even louder than the curtain hanging over her thoughts, until she could just obliterate it long enough to get steady again.
...so if you try to pull away headphones while she's there, or later sitting in the quiet car or rock garden, she apparently eventually settled on an eclectic mix of very heavy metal and strange and very loud alien music that would, technically, be described as a cappella if electronic instruments were alive and screaming at you.
[ ooc: Feel free to make up an encounter anywhere that fits, mostly she'll be looking glum and staring at nothingness while trying to explode her feelings with loud music. ]

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"Is this a short phase or the start of a longer one?" he asked, smiling kindly at her.
[Feel free to have her not hear him if you'd like! LOL]
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Ple Two had noticed his presence, if not what he said out loud. Even with her head tied up in these awful knots it was hard to turn off her perception, and she glanced down at Glorfindel with a raised eyebrow before removing her headphones.
"Did you say something?" she asked quietly.
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"Would you like to talk about it?" It could be anything, honestly. Maybe she just didn't like carrots...or she could be having an existential crisis based on what she'd learned about herself on the Train. Glorfindel wanted her to know he was here for her, regardless.
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It seemed as though she'd dealt with her existential crises - so being hit by the same one again seemed unfair. But Glorfindel was a comforting presence, thankfully. "It... might help?"
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Quiet Car
Since she has earphones in, of course, he doesn't just say hello right away. Instead, he walks close by enough to mime tapping on his SCA, where she can see.
He also flashes a series of '???' emotes on his screen. That might prove a little more distracting.
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Webmind doesn't ping her senses quite the same way as a typical person, but she notices, and glances at Webmind until he signs that he wants her attention. Slowly, she turns off her music.
"...hello. Did you need me for anything?"
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Perhaps that would be a surprise?
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Given he's had to learn how to hear before, the idea isn't too strange to him.
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To have him pull out a 'recommended' list or not... preference?
Though Ple Two using earphones makes it even better for the rest of the train!
"Does it sound like there are lyrics, or would it be best considered 'instrumental'?"
Webmind may well be going somewhere with this.
That could be fun!
... /gets ready to research screamo metal or somesuch
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Possibly a wrap here? There'll probably be a followup thread next platform where he's found somethin
o/
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But the more she spends the rest of the day, the more bothered Madoka starts feeling about it. Giving Ple Two space is nice, sure, but it doesn't feel right for someone so important for her to seem off and for Madoka to just do.. well, nothing.
So after letting it bother her for a while, Madoka ends up going off on a quest to find Ple Two somewhere on the train. The music carriage sure isn't where she expected to find the other girl, but she feels relief all the same once she spots her.
She stands there for a few moments, trying to catch her attention, but then realises there's no way Ple Two can hear her, and the other seems much too lost in thought to notice her.
So after feeling guilty for a moment or two, she gently pulls the headphones up, just enough so sound from the outside should be able to enter Ple Two's ears.
".. Ple Two..?"
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But, ah, isn't this truly normal for her?
Ple Two's engrossed enough to not notice Madoka behind her - she's used to the soft, warm feeling of her presence, even if describing it would be difficult - so she jumps a little at having her headphones pulled off, spins around, before calming back down about, oh, half way.
"M-Madoka." Is this who she wants to see? Does she want to avoid her until she's fine?
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Maybe Ple Two was avoiding her on purpose? Madoka may not know why, but it's possible - though not exactly a fun thought. Did she make it worse by speaking up to her?
Unsure as she may be, it's not like there's a way back now she's already sought out the other girl.
"Um.. I just.. I just wanted to say that if there's anything wrong, you know you can talk to me, right..?"
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Ple Two calms down a little more, but takes a moment to work out what she should actually say.
"I... know, but..." She lowers her head. "...why don't problems stay solved?"
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"Um.. I guess that sometimes they're a little troublesome that way," she slowly says after seeming to think on it for a moment. "What problem are you dealing with right now..?"
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"Someone... accidentally reminded me of how I feel about... myself." It never went away. Apparently, it's just been hiding. "What I am. Why I exist."
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".. I'm so sorry."
She doesn't blame the other person. It's happened before that someone brought something up that reminded Madoka of something awful - and she never blamed that person. They couldn't have known.
It's probably the same case here.
"Do you.. still feel bad about yourself?"
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rock garden
Still, seeing Ple Two by herself in the garden car listening to the kind of music he'd probably listen to if he was in a bad mood, he feels like maybe he should. Talk to her? Chainsaw's flying around overhead, and Ronan intended to come collect her before he caught sight of Ple Two. This is probably more important though, so he sits down next to her on the bench.
"Hey." He doesn't expect her to be able to hear him, but it'll let her know that he's interested in a conversation. "Listening to anything good?"
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She's familiar enough with Ronan at least, she's accidentally found a point of common interest.
It's easy enough to notice him once he's next to her, and by the time he asks his question she has the volume low enough to hear him. "...it's serving a purpose."
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He points up to the glass ceiling of the carriage. It's something he didn't notice at first, because his irregular sleep schedule means headaches are pretty common anyway, but he has noticed that spending a lot of time in the garden made him feel fairly awful by the end of the day. He assumes it's a lower-level form of voidsickness, not that it much matters.
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