VoidTrecker Express Mods (
voidtreckermods) wrote in
voidtreckerexpress2021-02-01 06:00 am
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Entry tags:
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- ~x~adam parrish [ou],
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- ~x~merwen [ou],
- ~x~nita callahan [crau],
- ~x~olivia [ou],
- ~x~paddra nsu-yeul [ou],
- ~x~ran mouri [ou],
- ~x~raven [ou],
- ~x~renee corbin [ou],
- ~x~rich goranski [ou],
- ~x~roland crane [ou],
- ~x~saash [ou],
- ~x~saku gyousou [ou],
- ~x~selenay [ou],
- ~x~senku ishigami [ou],
- ~x~shen qingqiu [au],
- ~x~steve rogers [ou],
- ~x~takato matsuda [ou],
- ~x~v [ou],
- ~x~v the scrapper [ou],
- ~x~wen qing [ou],
- ~x~xander woods [ou],
- ~x~yoite [ou],
- ~x~yosuke otoha [ou],
- ~x~yurine [ou]
A New Platform [Intro Post February]
On the Train
Three days after the Voidtreckers return to the void after their adventures on the biosphere world, they are awoken by a familiar announcement.
"Good morning passengers, it is day Sixteen of the month of Jelly. Points have been updated on the system."
They have indeed, and everyone can spend the morning shopping. Those who have been on the train for a while will also be expecting the second announcement that comes a few hours later.
"Shortly arriving into a designated void platform. Exit from void in ten, nine, eight, seven, six, five, four, three, two, one." A lurch and a jolt and the windows fill with the fog that means they are at a platform. The fog seems thicker than usual and as they step out onto the platform they will find it is cold, very cold. Icy fog sticks to their clothing, makes it hard to see very far; the atmosphere is dark and gloomy.
As usual the first to leave the train notice nothing as they walk silently, rucksacks on their backs, towards the barriers: Alexis Rhodes, Elfnein, Itsuki Myoudouin, Ken Ichijouji, MT, Neku Sakuraba, Nike Lemercier, Noctis Lucis Caelum, Rainbow Dash, Rei Saotome, Taichi Yagami, Tsubomi Hanasaki, Yuri Tsukikage and Zechs Merquise all pass through the platform, not looking back before they disappear through the barriers and into the fog beyond.
But on the platform itself there are new faces. Wearing hoodies in all four colours, in various states of confusion.
For New Passengers
At first all they can see is steam, billowing around them as they come to their senses. As their eyes adjust, they will see they are on a platform, glass and dark stone rising in sturdy arches around them. Behind them is a set of barriers, and in front of them is a single track extending both ways into thick fog.
They are standing, in clothes that are not their own and a style they might not even recognise. They are carrying a rucksack on their back. For a moment it seems to just be them, alone in the white haze; then the steam begins to fade and they realise they aren’t alone.
The platform is not large with sixteen figures scattered around, all facing the tracks, all dressed in cargo trousers and hoodies. To both the left and right, tracks disappear into the mist. Then there is a roaring sound and out of the fog arrives a train. Jet black with gold writing on the side. The Voidtrecker Express. There is a hiss as the doors slide open and out step a strange assortment of people. Some are human, some are less so. Most are wearing the same hoodie in one of the four colours, red, orange, blue and purple, though some are sporting different clothes in a variety of styles.
The Train
After a short time, the doors hiss open again. Those from the train may encourage those on the platform to board. It’s not like there's anywhere else to go and even if there was, you feel a pull. A need to board, a feeling that staying on the platform would lead to something terrible. If that is not enough, there are plenty of people on the platform now, to encourage them onto the train.
Each ICP shows the same message and next to the screens there are stacks of leaflets written by those on the train, with further information (see
'Publications'). The store rooms have been restocked with fresh ingredients, including several crates of avocados, the ingredient of the month of Jelly, as well as all sundries.
For passengers that have bought items, these are also scattered around the luggage carriage in various suitcases and bags.
New passengers will find their ticket allows them into their cabins. They may need to negotiate for beds, especially if they want a top bunk!
Room is tight but there are storage cubbies at the head of each bed, beds fold up and the bottom bunks double as benches for the small table. There is storage under those benches full of spare blankets and pillows.
Departure
A second horn sounds to encourage any stragglers braving the freezing fog, and the doors slide shut. Veteran passengers know what will happen next, but they may wish to brief their new companions.
The train sets off, the fog obscuring the view again as it picks up speed.
"Welcome aboard, passengers of the Voidtrecker Express." A female-coded artificial sounding voice echoes throughout the train. "Please take the time to read the passenger information displayed on the Information and Communication points and familiarise yourself with the layout and emergency exits."
The train begins to tilt, leaving the ground and rising up into the fog-filled sky.
"Entrance into Voidspace imminent. New passengers are advised to remain seated. Entry into Voidspace in ten, nine, eight, seven, six, five, four, three, two, one."
A shudder, a jolt, a lurch to the left. A flash of light, colourful and blinding. As quick as it happens it is done. The train seems to steady itself. The fog from the windows is gone now, replaced with a kaleidoscope of ever-changing colours.
Welcome to the Void!
Three days after the Voidtreckers return to the void after their adventures on the biosphere world, they are awoken by a familiar announcement.
"Good morning passengers, it is day Sixteen of the month of Jelly. Points have been updated on the system."
They have indeed, and everyone can spend the morning shopping. Those who have been on the train for a while will also be expecting the second announcement that comes a few hours later.
"Shortly arriving into a designated void platform. Exit from void in ten, nine, eight, seven, six, five, four, three, two, one." A lurch and a jolt and the windows fill with the fog that means they are at a platform. The fog seems thicker than usual and as they step out onto the platform they will find it is cold, very cold. Icy fog sticks to their clothing, makes it hard to see very far; the atmosphere is dark and gloomy.
As usual the first to leave the train notice nothing as they walk silently, rucksacks on their backs, towards the barriers: Alexis Rhodes, Elfnein, Itsuki Myoudouin, Ken Ichijouji, MT, Neku Sakuraba, Nike Lemercier, Noctis Lucis Caelum, Rainbow Dash, Rei Saotome, Taichi Yagami, Tsubomi Hanasaki, Yuri Tsukikage and Zechs Merquise all pass through the platform, not looking back before they disappear through the barriers and into the fog beyond.
But on the platform itself there are new faces. Wearing hoodies in all four colours, in various states of confusion.
For New Passengers
At first all they can see is steam, billowing around them as they come to their senses. As their eyes adjust, they will see they are on a platform, glass and dark stone rising in sturdy arches around them. Behind them is a set of barriers, and in front of them is a single track extending both ways into thick fog.
They are standing, in clothes that are not their own and a style they might not even recognise. They are carrying a rucksack on their back. For a moment it seems to just be them, alone in the white haze; then the steam begins to fade and they realise they aren’t alone.
The platform is not large with sixteen figures scattered around, all facing the tracks, all dressed in cargo trousers and hoodies. To both the left and right, tracks disappear into the mist. Then there is a roaring sound and out of the fog arrives a train. Jet black with gold writing on the side. The Voidtrecker Express. There is a hiss as the doors slide open and out step a strange assortment of people. Some are human, some are less so. Most are wearing the same hoodie in one of the four colours, red, orange, blue and purple, though some are sporting different clothes in a variety of styles.
The Train
After a short time, the doors hiss open again. Those from the train may encourage those on the platform to board. It’s not like there's anywhere else to go and even if there was, you feel a pull. A need to board, a feeling that staying on the platform would lead to something terrible. If that is not enough, there are plenty of people on the platform now, to encourage them onto the train.
Each ICP shows the same message and next to the screens there are stacks of leaflets written by those on the train, with further information (see
'Publications'). The store rooms have been restocked with fresh ingredients, including several crates of avocados, the ingredient of the month of Jelly, as well as all sundries.
For passengers that have bought items, these are also scattered around the luggage carriage in various suitcases and bags.
New passengers will find their ticket allows them into their cabins. They may need to negotiate for beds, especially if they want a top bunk!
Room is tight but there are storage cubbies at the head of each bed, beds fold up and the bottom bunks double as benches for the small table. There is storage under those benches full of spare blankets and pillows.
Departure
A second horn sounds to encourage any stragglers braving the freezing fog, and the doors slide shut. Veteran passengers know what will happen next, but they may wish to brief their new companions.
The train sets off, the fog obscuring the view again as it picks up speed.
"Welcome aboard, passengers of the Voidtrecker Express." A female-coded artificial sounding voice echoes throughout the train. "Please take the time to read the passenger information displayed on the Information and Communication points and familiarise yourself with the layout and emergency exits."
The train begins to tilt, leaving the ground and rising up into the fog-filled sky.
"Entrance into Voidspace imminent. New passengers are advised to remain seated. Entry into Voidspace in ten, nine, eight, seven, six, five, four, three, two, one."
A shudder, a jolt, a lurch to the left. A flash of light, colourful and blinding. As quick as it happens it is done. The train seems to steady itself. The fog from the windows is gone now, replaced with a kaleidoscope of ever-changing colours.
Welcome to the Void!
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'This', of course, being the way the ends of the sutra start to trail behind him as they move together. Just drifting like tendrils of seaweed in the water, sliding out of Devero's way as though pushed by some unseen current, but very slowly and gradually lengthening.
And gaining numbers. It's several repetitions of the main steps before there's more than just the two tendrils coiling out through the air, but if Devero doesn't put a stop to it there will eventually be a lot of them.
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After that first moment, though, an emphasized beat in the music brings his attention back to the dance. He has to, lest he tread on one of the priest's feet, or they get tangled up together. He focuses on Koumyou in his arms and the one-two-three four rhythm of the dance.
But there's no doubt that he remains aware of the growing, waving tendrils of paper that drift and flow around them. He's no longer talking Koumyou through the embellishments, the dips or the twirls, and his eyes keep flicking to unfurling, multiplying banners of the sutra. He watches them with wariness, but in this moment? With interest, as well.
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And the drifting and flowing of the individual lengths of paper starts to actually follow the beat of their movements.
Unmistakably dancing along with.
"Doing okay so far?" Koumyou, of course, has eyes only for Devero. He knows exactly what each and every individual tendril is doing as surely as he knows what each finger on his hands is doing.
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Until Koumyou asks him directly.
"Pause," he mutters, head and shoulders drooping. "I was."
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"Too much?" Koumyou asks gently.
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Anyway. "I didn't mind so much when they were just sort of... floating, but when they all started moving with us..." He gives his head a shake. Nope.
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There is rather a lot of them, isn't there?
(His processor can run a lot of tabs.)
"Want me to dismiss most of them?"
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Suddenly, there's only three tendrils frozen in the air. They're still contorted to fit around other tendrils that aren't there anymore, holding perfectly still.
"It won't hurt you," Koumyou reminds Devero gently, "it's part of me. It's like... extra limbs."
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"Thank you," he says with a relieved sigh-- before scrunching in on himself and ducking his face away. "I-- I know. I know that. Up here knows that." He taps his skull in indication, then lays the same hand against his side. "But down here sees so much impossibility and just. Kind of freaks out."
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He waits for an appropriate beat in the current song, then leads them back into their waltz. "You know," he says wryly as they recapture the rhythm, "if someone had told me a month and a day ago that I would be getting exposure therapy for reality-bending magic soon, I probably would have laughed in their face."
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"Here I thought I was just being clever."
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"You were," he says loyally. "You didn't know exposure therapy was a thing, so this still counts as very clever."
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His free hand had settled at Devero's shoulder, as usual for this. He smooths his fingers over the strange new fabric the man's wearing, enjoying the novelty. "The day will come when I'll have to use it to defend us on a mission, the less it bothers you by then the better."
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He nods agreement. "I don't want to just shut down, especially if the situation's dire enough that you're using its power to fight. I don't want to be a liability in the field."
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But he gentles again for that last bit, nodding, lifting his hand off Dev's shoulder to brush the backs of his fingers against one rough cheek.
"...If the sutra's deployed, the fight's probably very much over," he admits, "but I'd rather not frighten you, even so. Or if I ever have to use it to heal... anyone around you."
Or even Devero himself.
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Still leading, Devero tightens up their steps a little, making the waltz shorter, sharper. As he does, he says, "I meant it when I said it: I don't want to be frightened of this when it's part of you. You're so important to me, and I--" One-two-three-four and on this beat Devero initiates that same dip from before. Down, over, and back up. Is it an excuse to let the momentum of the turn bring them that much closer, or just a perk?
Either way, Devero hooks his arm behind Koumyou and pulls the priest against him. "I want to be partner you deserve. I want to be equal to your every challenge."
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"I'm... trying to be who you deserve, too."
Trying, not always succeeding, but trying.
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His arms tighten around Devero, and one tendril of the sutra actually lifts the priest a few inches off the ground to level the playing field a little.
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So he tightens his grip back up and returns his mouth to his boyfriend's with a needy little sound.
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For that moment.
And then the priest is pulling away, raising a bony hand to cover his own mouth like he'd just given voice to some terrible secret. "--S-sorry."
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cw sexual abuse mention
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cw abuse trauma
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cw self-directed victim blaming
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cw abuse trauma
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cw abuse trauma
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